Strategy

Albums
Bird Show
CacheFlowe
Caroline
Considerate Builders
Dday One
DJ Olive
Dub Tractor
Jimmy Edgar
Exillon
Four Tet
Guitar
Halma
Landesvatter
Don Limpio
Mariel Ito
Matinée Orchestra
Maximo Park
Mikkel Metal
Ms. John Soda
Music A.M.
Naing Naing
Nightmares On Wax
No Move. No Sound
Pillow
Ghislain Poirier
Prefuse 73
randomNumber
Rec_Overflow
Mike Shannon
.tape.
Wechsel Garland
Zucchini Drive

Compilations/Mixes
Check the Water
Futurism Ain't Shit
Idol Tryouts Two
I Love Techno
Kiki
Machine Drum
Steve Porter
Satoshie Tomiie
SRL
Quality Elect. Music

3"/7"/10"/12"/EPs
aitänna77
Jonas Bering
The Blow
Cepia
Clipd Beaks
DaFluke
Direwires
Drop the Lime
Florent
Honig/Packard
Infinite Scale
Midwest Product
Mufo
Office-(R)6
The Orb/Rice Twins
saidsound/Krilll.minima Scorn-Fury
Solenoid
Miles Tilmann
K F Whitman
Why?

Dday One: Loop Extensions
Needlework

Crate-diggin' with the best'of'em, Dday One stirs a tasty cocktail of woodsy acoustic bass lines and boom-bap throughout Loop Extensions ten sample-heavy cuts. The LA-based producer's debut album anchors a left-field cornucopia of eclectic sounds—folk instruments, entranced vocal musings, furious scratching, interview snippets—with the snap, crackle, and pop of driving breaks. Though the disc's largely instrumental, check out the MC quartet (Existereo, Subtitle, Awol One, Metfly) that appears over slamming tic-toc beats in “Unstable Material 2” as well as the ridiculously intricate verbal collage in “MCs on Strike” (Dday wrote the lyrics first and then tracked down vocal samples to match); listen also for the serpentine saxophone that coils over grinding snare splatter in “Seeds of Revolution” (and might that be Wayne Shorter spreading his sublime bleat all over “Nigerian Soil”?). Apparently the self-styled double major in hip-hop (turntablism and sampling) had 500 vinyl copies pressed upon the album's completion to help spread the word and almost immediately had luminaries like Cut Chemist and LA DJ Mike Nardone requesting copies. No surprise here: while admittedly not revolutionary, Dday's instrumental hip-hop holds up strongly enough.

March 2006