Bodycode

ALBUMS
Jessica Bailiff
Balún
Biotron Shelf
Black Turtleneck
Bodycode
Booka Shade
Cepia
Cheju
Couch
Dextro
James Figurine
Yuichiro Fujimoto
Giardini di Mirò
Isan
Judge Jules
Robert Kyr
Jasper Leyland
Marsen Jules
Ingram Marshall
Near T. Parenthesis
North Sea/Rameses
Now
OMR
One Second Bridge
Outputmessage
Lisa Papineau
Pellarin & Lenler
Reminder
Sancho
Solenoid
Somatic Responses
Spinform
Gregory Taylor
Ricardo Villalobos
Wells/Hash Baz

COMPILATIONS/MIXES
Buzzin' Fly III
DJ Deep
Domestic Blend Vol. 1
Eyelicker
Get Physical 2
Lazarus/Styles
min2MAX
Pertin_nce
Silverware
Superlongevity 4

3"/7"/10"/12"/EPs
Sir Richard Bishop
Cheju
Claro Intelecto
DJ Koze
Dykehouse
ERP/Mariel Ito
Freedarich/Stiggsen
Richard Houghten
Le K
Like A Stuntman
Minilogue
Now 04
Oxia
Pink Skull
Pocket Pet
Prox
The Suffragettes
Some. Else/Miskate
Sono
Superpit./Stardiver
Tres Demented
Unfound EP

DJ Deep presents: City To City Part 02
BBE Records

“House music is a state of mind but then again a state of mind is house music,” a distorted voice intones from the seeming center of a rainswept metropolis, jumpstarting tour guide DJ Deep's 78-minute sojourn through Detroit, Chicago, and New York underground House sounds. The set's comprised of raw but powerful soul-drenched rarities, with one exuberantly raving cut following another. No dates accompany the tracks though there's some indication they go back a ways, maybe even as much as twenty years. Still, aside from some dated drum sounds, silly over-the-top lyrics that sink Pleasure Control's “Fantasy,” and a moaning diva in Mr. Lee's “Pump That Body,” the disc's party vibe sounds reasonably fresh and more often than not rocks. Ron Allen's “Whispers” offers some decent deep house sparkle, Mike Dunn's proselytizes on the funkily minimal “So Let It Be House” (“So let it be written / So let it be house”), and certain parts of Mr. Fingers' “Distant Planet” suggests it could be an early antecedent of Closer Musik's “One Two Three (No Gravity).” Synth elements in William S's “I'll Never Let You Go” and Risque 3's “Essence Of A Dream” lay bare the genre's debt to Kraftwerk while acid-, jazz-, and soul-house appear elsewhere. Especially memorable (if too long) is Romanthony's “Bring U Up,” an impassioned sampling of gospel-house that spans decades. Bridging James Brown, The Jackson Five, and Sly and The Family Stone (the “Higher” refrain an obvious direct reference) in one fell swoop, the singer tears into the Prince-styled lead like a maniacally possessed preacher. Despite its weaknesses, the set's infectious party vibe is strong enough to keep you grooving until the end.

July 2006