Bodycode

ALBUMS
Jessica Bailiff
Balún
Biotron Shelf
Black Turtleneck
Bodycode
Booka Shade
Cepia
Cheju
Couch
Dextro
James Figurine
Yuichiro Fujimoto
Giardini di Mirò
Isan
Judge Jules
Robert Kyr
Jasper Leyland
Marsen Jules
Ingram Marshall
Near T. Parenthesis
North Sea/Rameses
Now
OMR
One Second Bridge
Outputmessage
Lisa Papineau
Pellarin & Lenler
Reminder
Sancho
Solenoid
Somatic Responses
Spinform
Gregory Taylor
Ricardo Villalobos
Wells/Hash Baz

COMPILATIONS/MIXES
Buzzin' Fly III
DJ Deep
Domestic Blend Vol. 1
Eyelicker
Get Physical 2
Lazarus/Styles
min2MAX
Pertin_nce
Silverware
Superlongevity 4

3"/7"/10"/12"/EPs
Sir Richard Bishop
Cheju
Claro Intelecto
DJ Koze
Dykehouse
ERP/Mariel Ito
Freedarich/Stiggsen
Richard Houghten
Le K
Like A Stuntman
Minilogue
Now 04
Oxia
Pink Skull
Pocket Pet
Prox
The Suffragettes
Some. Else/Miskate
Sono
Superpit./Stardiver
Tres Demented
Unfound EP

Yuichiro Fujimoto: The Mountain Record
Ahornfelder

Given that Ahornfelder presents itself as a label dedicated to loosely-structured compositions rooted in field recording elements that a given artist weaves into minimalistic sound clusters, Yuichiro Fujimoto's The Mountain Record would appear to be the quintessential Ahornfelder release. The Urayasu Chiba, Japan-based composer creates playful yet richly detailed and open-ended settings that resemble haiku, with the poetic quality coming from the myriad 'real world' sounds he works into the peaceful pieces. Song titles alone convey the spirit of the recording (e.g., “Handwritten Map to Sea,” “The Tale of Setting Sun”) but its bucolic character is entirely communicated in their absence. Delicate acoustic playing alternates with a faint vocal hum in “Listen to November Steps” while placid sounds of birds and children are heard alongside Fujimoto's gentle piano chords in “Open Window (for Piano).” “Birds, Cows, Dogs and Bells,” on the other hand, is almost entirely an arrangement of environmental sounds. Most pieces are brief, the nine-minute meditation “To Make a Fire in That Old Stove” the sole exception. Electronics play a larger role here, with tiny flares accumulating into a mass of chirping calls on top of which Fujimoto's sparse strums and glockenspiel accents resonate. Appropriately enough, The Mountain Record was mastered by Greg Davis, any number of whose recordings would serve as a natural complement to Fujimoto's intimate atmospheres.

July 2006