Strategy

Albums
Bird Show
CacheFlowe
Caroline
Considerate Builders
Dday One
DJ Olive
Dub Tractor
Jimmy Edgar
Exillon
Four Tet
Guitar
Halma
Landesvatter
Don Limpio
Mariel Ito
Matinée Orchestra
Maximo Park
Mikkel Metal
Ms. John Soda
Music A.M.
Naing Naing
Nightmares On Wax
No Move. No Sound
Pillow
Ghislain Poirier
Prefuse 73
randomNumber
Rec_Overflow
Mike Shannon
.tape.
Wechsel Garland
Zucchini Drive

Compilations/Mixes
Check the Water
Futurism Ain't Shit
Idol Tryouts Two
I Love Techno
Kiki
Machine Drum
Steve Porter
Satoshie Tomiie
SRL
Quality Elect. Music

3"/7"/10"/12"/EPs
aitänna77
Jonas Bering
The Blow
Cepia
Clipd Beaks
DaFluke
Direwires
Drop the Lime
Florent
Honig/Packard
Infinite Scale
Midwest Product
Mufo
Office-(R)6
The Orb/Rice Twins
saidsound/Krilll.minima Scorn-Fury
Solenoid
Miles Tilmann
K F Whitman
Why?

Infinite Scale: Automated Compositions
Boltfish

Automated Compositions, Infinite Scale's first Boltfish EP (and sequel to 2005's Sound Sensor debut on Toytronic), offers in many respects pretty much what one might expect: reverberant soundscapes that merge IDM, techno, glitch, and hip-hop into pretty glistening wholes. The major characteristic that gives the London-based artist's music its distinctive fingerprint is its nuanced fusion of ambient with hip-hop; pieces sparkle with a customary ambient gleam but their softness is offset by the grime of downtempo breaks. The EP's third and most memorable piece, “The Wind Does Not Always Blow,” pushes the concept furthest when sweeping washes stretch across huge expanses while simmering drum'n'bass pulses percolate below. Admittedly, Infinite Scale's music is polite and might attract more attention if it were a little less behaved. Having said that, there's also no disputing the quality of its understated craft.

March 2006