Bodycode

ALBUMS
Jessica Bailiff
Balún
Biotron Shelf
Black Turtleneck
Bodycode
Booka Shade
Cepia
Cheju
Couch
Dextro
James Figurine
Yuichiro Fujimoto
Giardini di Mirò
Isan
Judge Jules
Robert Kyr
Jasper Leyland
Marsen Jules
Ingram Marshall
Near T. Parenthesis
North Sea/Rameses
Now
OMR
One Second Bridge
Outputmessage
Lisa Papineau
Pellarin & Lenler
Reminder
Sancho
Solenoid
Somatic Responses
Spinform
Gregory Taylor
Ricardo Villalobos
Wells/Hash Baz

COMPILATIONS/MIXES
Buzzin' Fly III
DJ Deep
Domestic Blend Vol. 1
Eyelicker
Get Physical 2
Lazarus/Styles
min2MAX
Pertin_nce
Silverware
Superlongevity 4

3"/7"/10"/12"/EPs
Sir Richard Bishop
Cheju
Claro Intelecto
DJ Koze
Dykehouse
ERP/Mariel Ito
Freedarich/Stiggsen
Richard Houghten
Le K
Like A Stuntman
Minilogue
Now 04
Oxia
Pink Skull
Pocket Pet
Prox
The Suffragettes
Some. Else/Miskate
Sono
Superpit./Stardiver
Tres Demented
Unfound EP

Jessica Bailiff: Feels Like Home
kranky

I won't presume to know how Ms. Bailiff feels about her music being called 'hippie-folk' or when words like 'trippy' are used to describe it. But it's hard to resist such labels when listening to the 31-minute Feels Like Home, especially when its plenitude of psychedelic mantras makes it resemble a 1970s session recorded at some remote mountainside cabin; furthermore, chanted lyrics like “What's Inside Your Mind?” and “Body of water / You and me / We sing / We swim” (“Lakeside Blues”) do little to dissuade the listener from using such descriptions. The material (in fact her first full-length of solo material in four years) typically pairs her fragile, gossamer vocals and acoustic guitar with ornate instrumental touches (strings, percussion) that intensify the music's ethereal character. Hardly an overly demonstrative singer, Bailiff seems more intent on letting her soothing voice become part of a song's fabric (“Evidence” a rare example of vocal passion) though she offsets her sound's softer dimension with intermittent guitar fuzz. The most unusual settings engage most: with guitars melding into a bleeding blur (“We Were Once”) and a woodwind drone used as a pedal point (“Persuasion”), Bailiff's folk-madrigals entrance, while “Spiral Dream,” the album's most anomalous piece, channels the spirit of “Cabinessence” as Bailiff surrounds her piano with ambient haze and billowing vocal clusters. Still, despite the music's evocative, haunted charm, the disc's brevity and its almost exclusive reliance on two-minute vignettes makes the album feel slight.

July 2006