Strategy

Albums
Bird Show
CacheFlowe
Caroline
Considerate Builders
Dday One
DJ Olive
Dub Tractor
Jimmy Edgar
Exillon
Four Tet
Guitar
Halma
Landesvatter
Don Limpio
Mariel Ito
Matinée Orchestra
Maximo Park
Mikkel Metal
Ms. John Soda
Music A.M.
Naing Naing
Nightmares On Wax
No Move. No Sound
Pillow
Ghislain Poirier
Prefuse 73
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Rec_Overflow
Mike Shannon
.tape.
Wechsel Garland
Zucchini Drive

Compilations/Mixes
Check the Water
Futurism Ain't Shit
Idol Tryouts Two
I Love Techno
Kiki
Machine Drum
Steve Porter
Satoshie Tomiie
SRL
Quality Elect. Music

3"/7"/10"/12"/EPs
aitänna77
Jonas Bering
The Blow
Cepia
Clipd Beaks
DaFluke
Direwires
Drop the Lime
Florent
Honig/Packard
Infinite Scale
Midwest Product
Mufo
Office-(R)6
The Orb/Rice Twins
saidsound/Krilll.minima Scorn-Fury
Solenoid
Miles Tilmann
K F Whitman
Why?

Landesvatter: Lax
Normoton

Demonstrating a tasteful understatement others would do well to follow, Franconia-born and Berlin-based Joachim Landesvatter weaves miniscule samples of string plucks, voices, vibes, and horns over compelling rhythm loops in twelve minimal tech-house cuts. Song titles like “Spr.” and “Gro.” reveal little (notwithstanding an obsession with the period) but the tunes communicate clearly enough nonetheless. The tools of construction aren't necessarily new—textured atmospheres, surging microhouse and subtly funky hip-hop rhythms, chopped and sliced edits—but Landesvatter scores throughout with his nuanced handling of the material. Lots of highlights to choose from: the Gramm-styled “Mank.” and “Duz.,” a sweetly chugging shuffle augmented by horn tones, Spanish guitar strums, and a soft flute drone that would do Jan Jelinek proud while syllabic voice fragments slip and slide over a chiming groove in the bright strutter “Spr.” At times resurrecting the Basic Channel/Chain Reaction aesthetic, steely flanges ricochet over a driving bottom in “Kaum.” Landesvatter brings an admirable restraint to it all, whether it be the thwacking minimal techno-funk of “Ber.” or the gliding bass-heavy pumper “Gro.”

March 2006