Strategy

Albums
Bird Show
CacheFlowe
Caroline
Considerate Builders
Dday One
DJ Olive
Dub Tractor
Jimmy Edgar
Exillon
Four Tet
Guitar
Halma
Landesvatter
Don Limpio
Mariel Ito
Matinée Orchestra
Maximo Park
Mikkel Metal
Ms. John Soda
Music A.M.
Naing Naing
Nightmares On Wax
No Move. No Sound
Pillow
Ghislain Poirier
Prefuse 73
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Rec_Overflow
Mike Shannon
.tape.
Wechsel Garland
Zucchini Drive

Compilations/Mixes
Check the Water
Futurism Ain't Shit
Idol Tryouts Two
I Love Techno
Kiki
Machine Drum
Steve Porter
Satoshie Tomiie
SRL
Quality Elect. Music

3"/7"/10"/12"/EPs
aitänna77
Jonas Bering
The Blow
Cepia
Clipd Beaks
DaFluke
Direwires
Drop the Lime
Florent
Honig/Packard
Infinite Scale
Midwest Product
Mufo
Office-(R)6
The Orb/Rice Twins
saidsound/Krilll.minima Scorn-Fury
Solenoid
Miles Tilmann
K F Whitman
Why?

Mariel Ito: My Cyborg Depths
Scsi-av

There's clearly nothing coy about the title Erik Estornel (aka Maetrik) chose for his Mariel Ito debut. My Cyborg Depths is clearly futuristic machine-music, all blinding chromium-plated surfaces and cold precision engineering. But it's also superb, a relentlessly jacking electro-paradise of vocodered voices, writhing surges, and pulsating pinprick grooves. The album looks forward, of course, yet a retro feel emerges too, specifically when slippery Kraftwerk beats emerge in “Torn & Reborn.” Apparently that's Richard Burton oozing narrative portent in “Syndrome” too but it's the song's surging tech-house you'll remember more. Though “Remorse Attack” and “Destinos” up the psychotropic ante, Estornel elsewhere humanizes the material by weaving delicate melodic lines into tunes like “Satisfied Death” and “Dream Deception.” Imagine a merger between Solvent's shiny electro-synth pop and Kill Memory Crash's industrial intensity and you'll have a fairly accurate impression of My Cyborg Depths' deep-space sound.

March 2006