Strategy

Albums
Bird Show
CacheFlowe
Caroline
Considerate Builders
Dday One
DJ Olive
Dub Tractor
Jimmy Edgar
Exillon
Four Tet
Guitar
Halma
Landesvatter
Don Limpio
Mariel Ito
Matinée Orchestra
Maximo Park
Mikkel Metal
Ms. John Soda
Music A.M.
Naing Naing
Nightmares On Wax
No Move. No Sound
Pillow
Ghislain Poirier
Prefuse 73
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Rec_Overflow
Mike Shannon
.tape.
Wechsel Garland
Zucchini Drive

Compilations/Mixes
Check the Water
Futurism Ain't Shit
Idol Tryouts Two
I Love Techno
Kiki
Machine Drum
Steve Porter
Satoshie Tomiie
SRL
Quality Elect. Music

3"/7"/10"/12"/EPs
aitänna77
Jonas Bering
The Blow
Cepia
Clipd Beaks
DaFluke
Direwires
Drop the Lime
Florent
Honig/Packard
Infinite Scale
Midwest Product
Mufo
Office-(R)6
The Orb/Rice Twins
saidsound/Krilll.minima Scorn-Fury
Solenoid
Miles Tilmann
K F Whitman
Why?

Music A.M.: Unwound From The Woods
Touch

Unwound from the Woods is Music A.M.'s strongest release to date. Recording circumstances haven't changed—Luke Sutherland (guitar, vocals), Stefan Schneider (bass, synthesizers), and Volker Bertelmann (keyboards) once again recorded the material at their Düsseldorf studio—but the material is better this time around, with the songs' hooks considerably stronger than those on the debut A Heart and Two Stars and EP follow-up My City Glittered Like a Breaking Wave. And though Sutherland's vocals remain feathery whispers couched in delicate beds of electric piano, synthesizers, and bass, the trio's songs have gravitated towards an appealing electronic-soul fusion. Despite a startlingly profane appeal, “Always” oozes a seductive pull while “Say It” and “I Was Born to Make You Happy” wed soul chants to digital strings and guitar shudder. Instrumentals appear again (“You Know Better Now Than You Ever Did Before,” “NY 75,” “Every Bulb in the Place Blew”) with “Miercoles” perhaps the prettiest of the lot, especially when soft horns float over a placid base of handclaps and guitar, and more aggressive cuts (“Stars on 45,” “Your Bones”) announce a welcome dynamic expansion. Still, it's vocal cuts like the lulling “Ten Ton Truck” one remembers most. You might end up puzzling over lyrics like “2, 4, 6, 8 / Who do we appreciate?” but you'll experience no such confusion when confronted with Sutherland's breathy vocal and the song's dreamy vibe.

March 2006