Strategy

Albums
Bird Show
CacheFlowe
Caroline
Considerate Builders
Dday One
DJ Olive
Dub Tractor
Jimmy Edgar
Exillon
Four Tet
Guitar
Halma
Landesvatter
Don Limpio
Mariel Ito
Matinée Orchestra
Maximo Park
Mikkel Metal
Ms. John Soda
Music A.M.
Naing Naing
Nightmares On Wax
No Move. No Sound
Pillow
Ghislain Poirier
Prefuse 73
randomNumber
Rec_Overflow
Mike Shannon
.tape.
Wechsel Garland
Zucchini Drive

Compilations/Mixes
Check the Water
Futurism Ain't Shit
Idol Tryouts Two
I Love Techno
Kiki
Machine Drum
Steve Porter
Satoshie Tomiie
SRL
Quality Elect. Music

3"/7"/10"/12"/EPs
aitänna77
Jonas Bering
The Blow
Cepia
Clipd Beaks
DaFluke
Direwires
Drop the Lime
Florent
Honig/Packard
Infinite Scale
Midwest Product
Mufo
Office-(R)6
The Orb/Rice Twins
saidsound/Krilll.minima Scorn-Fury
Solenoid
Miles Tilmann
K F Whitman
Why?

Office-(R)6: Mundane Occurrences and Presentations
Lampse

Improvs can be unpredictable, a case in point Afternoon Tea, the 2000 Ritornell set produced by Oren Ambarchi, Christian Fennesz, Paul Gough, Peter Rehberg, and Keith Rowe. Despite the impressive lineup, the collective music-making underwhelms; with none of the esteemed participants intent on seizing control or imposing direction, the disc's two long and aimless pieces ultimately sound uninspired.

And then there's the Amsterdam-based Office-R(6), a sextet comprised of Koen Nutters (bass), Robert van Heumen (laptop), Jeff Carey (laptop), Sakir Oguz Buyukberber (bass clarinet), Dirk Bruinsma (soprano, baritone sax), and Morten Olsen (percussion) whose energized interplay is never anything less than engrossing. Drawing upon electronic music, noise, jazz, and contemporary music traditions, the players attack their gnotty electro-acoustic improvisations with rabid ferocity. The disc's purposeful, stop-start interplay is permeated by perpetual flux and invention with electronic sputter, bass clarinet growls, bowed scrapes, saxophone honks, and sliced voice samples endlessly circling around and colliding with one another. Sounds converge at some moments before splintering off into multiple directions the next. Mundane Occurrences and Presentations at times resembles the kind of challenging music Luciano Berio might be creating were he alive today and in his composing prime.

March 2006