Bodycode

ALBUMS
Jessica Bailiff
Balún
Biotron Shelf
Black Turtleneck
Bodycode
Booka Shade
Cepia
Cheju
Couch
Dextro
James Figurine
Yuichiro Fujimoto
Giardini di Mirò
Isan
Judge Jules
Robert Kyr
Jasper Leyland
Marsen Jules
Ingram Marshall
Near T. Parenthesis
North Sea/Rameses
Now
OMR
One Second Bridge
Outputmessage
Lisa Papineau
Pellarin & Lenler
Reminder
Sancho
Solenoid
Somatic Responses
Spinform
Gregory Taylor
Ricardo Villalobos
Wells/Hash Baz

COMPILATIONS/MIXES
Buzzin' Fly III
DJ Deep
Domestic Blend Vol. 1
Eyelicker
Get Physical 2
Lazarus/Styles
min2MAX
Pertin_nce
Silverware
Superlongevity 4

3"/7"/10"/12"/EPs
Sir Richard Bishop
Cheju
Claro Intelecto
DJ Koze
Dykehouse
ERP/Mariel Ito
Freedarich/Stiggsen
Richard Houghten
Le K
Like A Stuntman
Minilogue
Now 04
Oxia
Pink Skull
Pocket Pet
Prox
The Suffragettes
Some. Else/Miskate
Sono
Superpit./Stardiver
Tres Demented
Unfound EP

One Second Bridge: One Second Bridge
Büro

Barcelona residents Vicente García Landa and Matias Bieniaszewski (aka One Second Bridge) would seem to be a self-effacing pair, judging from the little note included in their eponymous Büro album: “We played guitars, computers, and sang a little.” Drawing upon pop, electronica, shoegaze, and psychedelia, the disc's eleven tracks are a whole lot more expansive and far-reaching than such modesty might suggest. With many of the album's 13 songs brief interludes (the opener “One Second Bridge,” where electric strums echo across a decaying field of stuttering electronics, and “Un Minuto,” with its bright cascades of Rubato pianos), the album isn't an exhausting 78-minute haul but is instead a concise 39 minutes.

On songs “No 2,” “The Ghost,” and “Keep On Falling,” the album plunges into melodic shoegaze territory of the kind heard on the Morr Music Slowdive tribute Blue Skied An' Clear with whispered vocals woven into heavenly masses of guitar-drenched haze. “Keep On Falling,” in particular, references the style with electric guitars building to such an extreme pitch they literally smother the surrounding elements. One Second Bridge 's material also reveals strong commonality with Dub Tractor's bass-heavy style (“Everywhere,” “Fifth Season,” “Ventana”) and Manual (the haunting, pealing coda “Alt. Ending”). No explanation is given for why the material, recorded in 2003 and 2004, hasn't seen the light of day until now but it's none the worse for it. One Second Bridge is a lovely tapestry of entrancing songs and vignettes.

July 2006