Strategy

Albums
Bird Show
CacheFlowe
Caroline
Considerate Builders
Dday One
DJ Olive
Dub Tractor
Jimmy Edgar
Exillon
Four Tet
Guitar
Halma
Landesvatter
Don Limpio
Mariel Ito
Matinée Orchestra
Maximo Park
Mikkel Metal
Ms. John Soda
Music A.M.
Naing Naing
Nightmares On Wax
No Move. No Sound
Pillow
Ghislain Poirier
Prefuse 73
randomNumber
Rec_Overflow
Mike Shannon
.tape.
Wechsel Garland
Zucchini Drive

Compilations/Mixes
Check the Water
Futurism Ain't Shit
Idol Tryouts Two
I Love Techno
Kiki
Machine Drum
Steve Porter
Satoshie Tomiie
SRL
Quality Elect. Music

3"/7"/10"/12"/EPs
aitänna77
Jonas Bering
The Blow
Cepia
Clipd Beaks
DaFluke
Direwires
Drop the Lime
Florent
Honig/Packard
Infinite Scale
Midwest Product
Mufo
Office-(R)6
The Orb/Rice Twins
saidsound/Krilll.minima Scorn-Fury
Solenoid
Miles Tilmann
K F Whitman
Why?

VA: Quality Electronic Music
Ai Records

The Ai empire continues to grow with its 12-inch picture disc Quality Electronic Music spotlighting eight new signings to the UK label, all of whom indicate 2006 should prove as spectacular a year for Ai devotees as 2005. As many contributors cite the same influences (Aphex Twin, Autechre, Boards of Canada), some commonality naturally emerges, with many producing material that echoes the clean and melodic style heard on recent label outings from Yunx and Jacen Solo. The Ai garb fits Rootsix perfectly, judging by the gleaming electro-house of “Just One of Those Things,” and Biologic and Pathic (John Cranmer) sound equally at home on their respective tracks (“Crystal Violet” and “Triangulation”) where dramatic washes and mellow tones drape over bubbly beats and churning electro-funk. Sensiva (Russia-born Artem Galukhin) adds a slippery hip-hop strut to his spacey “44100 th Galaxy” while Tomcats In Tokyo (French duo Fabrice Rey and Fabrice Marsaud) build “Telophasic Céphalée” into a driving mass of rumbling beats and blistering squelches. Only Moonjean's “Someday My Prints Will Come” departs dramatically in style (though that shouldn't surprise too much, given that she identifies Glen Campbell, Bread, and The Carpenters as influences). Michigan-based Jeanie Moon-Gatrops creates a lovely setting from marimba, synths, acoustic guitar, and her own treated voice in a style that recalls Melodic more than Ai. No matter how similar or dissimilar their material, the new recruits are concerned less with inciting revolutions than in perpetuating Ai's rep for quality production, and in that regard they succeed admirably.

March 2006