Bodycode

ALBUMS
Jessica Bailiff
Balún
Biotron Shelf
Black Turtleneck
Bodycode
Booka Shade
Cepia
Cheju
Couch
Dextro
James Figurine
Yuichiro Fujimoto
Giardini di Mirò
Isan
Judge Jules
Robert Kyr
Jasper Leyland
Marsen Jules
Ingram Marshall
Near T. Parenthesis
North Sea/Rameses
Now
OMR
One Second Bridge
Outputmessage
Lisa Papineau
Pellarin & Lenler
Reminder
Sancho
Solenoid
Somatic Responses
Spinform
Gregory Taylor
Ricardo Villalobos
Wells/Hash Baz

COMPILATIONS/MIXES
Buzzin' Fly III
DJ Deep
Domestic Blend Vol. 1
Eyelicker
Get Physical 2
Lazarus/Styles
min2MAX
Pertin_nce
Silverware
Superlongevity 4

3"/7"/10"/12"/EPs
Sir Richard Bishop
Cheju
Claro Intelecto
DJ Koze
Dykehouse
ERP/Mariel Ito
Freedarich/Stiggsen
Richard Houghten
Le K
Like A Stuntman
Minilogue
Now 04
Oxia
Pink Skull
Pocket Pet
Prox
The Suffragettes
Some. Else/Miskate
Sono
Superpit./Stardiver
Tres Demented
Unfound EP

Somatic Responses: Giauzar
Sublight

John and Paul Healy's latest Somatic Responses release starts out restrainedly enough with the industrial doomscape “Split,” prompting one to think that Giauzar might be an album filled with brooding cinematic atmospheres—until, that is, one confronts the twelve steamrollers that follow, starting with the futuristic clank and steel-toed slam of “B Boy 3000.” There are moments of subtlety or restraint—the title track and the vocodered “Heliuminum” include their share of both—but the album's overall sound is more accurately represented by the militant “Combined Forces” (though even it manages to weave some doom-laden tones in amongst its hammering goosestep) or the stately snarl of “Disintegration March.” To its credit, Somatic Responses balances intensity with musicality and consequently its material never comes across as gratuitously aggressive. Schizoid ‘scapes like “Germ” and “Mixed Bag,” for instance, writhe like diseased organisms yet retain a discernible compositional grip. Giauzar is therefore less abrasive and monochromatic than one might expect, with multiple styles—throbbing electro-noir (“Nowtro Music”), Drexciya-styled android thrum (“Strangulartk Robot”)—emerging over the course of the album.

July 2006