Bodycode

ALBUMS
Jessica Bailiff
Balún
Biotron Shelf
Black Turtleneck
Bodycode
Booka Shade
Cepia
Cheju
Couch
Dextro
James Figurine
Yuichiro Fujimoto
Giardini di Mirò
Isan
Judge Jules
Robert Kyr
Jasper Leyland
Marsen Jules
Ingram Marshall
Near T. Parenthesis
North Sea/Rameses
Now
OMR
One Second Bridge
Outputmessage
Lisa Papineau
Pellarin & Lenler
Reminder
Sancho
Solenoid
Somatic Responses
Spinform
Gregory Taylor
Ricardo Villalobos
Wells/Hash Baz

COMPILATIONS/MIXES
Buzzin' Fly III
DJ Deep
Domestic Blend Vol. 1
Eyelicker
Get Physical 2
Lazarus/Styles
min2MAX
Pertin_nce
Silverware
Superlongevity 4

3"/7"/10"/12"/EPs
Sir Richard Bishop
Cheju
Claro Intelecto
DJ Koze
Dykehouse
ERP/Mariel Ito
Freedarich/Stiggsen
Richard Houghten
Le K
Like A Stuntman
Minilogue
Now 04
Oxia
Pink Skull
Pocket Pet
Prox
The Suffragettes
Some. Else/Miskate
Sono
Superpit./Stardiver
Tres Demented
Unfound EP

Spinform: Brter Tystnaden
Hobby Industries

That Uppsala-based Erik Møller (aka Spinform and Unai) recorded his Hobby Industries full-length debut in an old deserted manor in the Swedish countryside is evidenced by Brter Tystnaden's rustic electronic folk pieces. The homespun, sometimes decrepit production style in this case enhances the material's intimate feel with Møller assembling an orchestra's worth of acoustic instruments, electronic noises, and field sounds (creaks, droplets) into stately ballads (“Frestelser och Bekymmer,” “Det Fanns En Tid”) and rickety folk-hop instrumentals that would do Múm proud. The lovely opener “Imperiebyggaren” cultivates a hymn-like, lullaby feel with piano, bass, and glockenspiel each voicing the song's gentle themes at center stage, while glimmering melodies whisper and whistle amidst stumbling beats in the harder-edged “Lurliv.” As per the title, “Som En Film” resembles a lost soundtrack to a ‘60s espionage caper, with dramatic horns, guitars, and organ weaving a dense, free-form flow over a spindly funk groove. Graced by a particularly lovely melodica melody, “Framtidsminnen” likewise nurtures a gently rocking feel tailor-made for a Sunday ride through the French countryside. Though Møller's tracks are typically multi-layered constructions, they're never so dense that his melodic gifts can't be heard (“Hjertats Mysterion”).

July 2006