Articles
Ten Questions Eric Quach
Ten Questions :papercutz

Albums
17 Pygmies
Alex B
Alva Noto
Antonymes
Aubry & Montavon
Bonobo
B-Sanders
Martin Buttrich
Ken Camden
Mlle Caro & Garcia
cecilia::eyes
Mathias Delplanque
DMT
d_rradio & Lianne Hall
Drape
Elektro Guzzi
Roman Flügel
Pierre Gerard / Shinkei
Ghost of 29 Megacycles
Tord Gustavsen
Ian Hawgood
Hrdvsion
Ikonika
Indignant Senility
Kingbastard
Loveliescrushing
Lunar Miasma
peterMann
MONO
Ontayso
:papercutz
Pausal
Pjusk
Jonas Reinhardt
Pascal Savy
Thorsten Scheerer
Scuba
Semuin
Sonmi451
Stray Ghost
Nicholas Szczepanik
Thisquietarmy
The Timewriter
Vex'd
Christian Wallumrød

Compilations / Mixes
Duskscape Not Seen

EPs
Orlando B.
Mlle Caro & Garcia
Kirk Degiorgio
Russ Gabriel
Kyle Hall
Junkie Sartre & Hexaquart
Lena
Mike Monday
Adam Pacione
Colin Andrew Sheffield
Shinkei / mise_en_scene
Rick Wade
When The Clouds

Alex B: Moments
Elm&Oak

Fans of J. Dilla will want to get their hands on a copy of Alex B's debut full-length Moments, which the Boulder, Colorado producer's issued on own Elm&Oak label. Loping beats and general wonkiness abound in seventeen samplings of the crate-digger's ‘bass music.' The instrumentals are firmly ‘in the tradition,' so to speak, of classic instrumental hip-hop, and most tracks are in the two- to three-minute range, making the album feel like an easy-to-digest box of truffles, and many of the tracks are tasty indeed. The grooves often exude a faded loping character emblematic of sample-based hip-hop, and sound treatments heard in the opening track “At Channel One” even evoke “Hyped-up Plus Tax” from Dabrye's One/Three.

With its heady blend of vocal samples, spiraling synth patterns, and clip-clop beats, the bass-heavy head-nodder “You and I Both Know” is particularly Dilla-esque, as is “Show Me,” which lopes in stop-start manner, all the while besieged by a vocal refrain. On a warm and laid-back tip, “Nothing is Always Something,” prodded by a warm synth-bass line, unspools relaxedly, as does the breezy clip-hop of “Impressions.” Piano splinters, electro-synth fire, and crackling beats distinguish “Pad 5,” while “Hide Extension” likewise brings the spaced-out hip-hop fire. Material like “Standing On Me” suggests Alex B's sensibility is close in spirit to that of Flying Lotus's (in fact, Alex B recently produced a mix for Flying Lotus's Brainfeeder label). On the vocal front, the sultry tones of Lilla D'mone appear alongside the soulful bump of “Getting to Know You,” plus there are MC contributions from Count Bass D and Sunk1 (an Orson Welles voiceover turns up on “Drip Splatter”). Those with a jones for inventive crate-diggin' should definitely check Moments out.

May 2010