ARTICLES
Ten Questions: Fat Jon
MUTEK 2006

ALBUMS
65daysofstatic
A Cloud Mireya
Ambarchi and Ng
Another Elec. Musician
Derek Bailey
Band Ane
Barzin
Black Gold 360
The Blow
Boduf Songs
Childs
Darc Mind
Dosh
Duopandamix
Fat Jon & Styrofoam
Liam Gillick
Shuta Hasunuma
Tim Hecker
Ilkae
Jack's Son
Richard Jäverling
Jazzkammer
Junior Boys
Last Days
Hanno Leichtmann
Luomo
Mandelbrot Set
Mountaineer
N.Phect & Dizplay
Part Timer
Karsten Pflum
Benoît Pioulard
Plus Device
+/- {Plus/Minus}
Relay
Saroos
Seht
Shedding
So Percussion
Sybarite
Trio Vopá
Marshall Watson
Weather Report
Donato Wharton
Christopher Willits
Xela

COMPILATIONS/MIXES
ESL Remixed
Four Tet
Garnier & Craig
Ginglik Saturdays
Michael Mayer
Henrik Schwarz

3"/7"/10"/12"/EPs
Colleen
Delano and Xpansul
Detritus
Ed Devane
Eskimo
Feathers
Goldmund
Ezekiel Honig/Graphic
Ezekiel Honig
Eliot Lipp
Robert Lippok
Alejandro Lopez
Evan Marc
Porter & Carr
Sebastian Russell
Somone Else
Spaceships & Pings
SplitEP3
Simon Whetham

Black Gold 360: Black Gold 360
Beluga

Amazingly, Simon Sixsmith, co-owner of the Dutch label Beluga, has made his debut album entirely free for download. However, the adage that nothing of value comes for free doesn't apply here as Black Gold 360 is a thoroughly worthwhile listen. The album's a jazz-oriented exercise in sample-based collage construction that's occasionally reminiscent of the work Jan Jelinek-Triosk and Andrew Pekler produced on their respective 1+3+1 and Nocturnes, False Dawns and Breakdowns releases though Sixsmith adopts a slightly more free-flowing style on the album's ten tracks. A perpetual flow of invention streams throughout the 50-minute set, with Sixsmith dusting off a cavalcade of early acoustic jazz samples for his constructions. Absorbing the material's late-night character, it's easy to visualize a rain-soaked Manhattan street populated by musicians relaxing outside the club's entrance enjoying a smoke between sets.

“Fuck Your Best Friend” is especially close to Jelinek's style. A repeating chord splashes throughout, establishing structure and imposing balance, while a mutating, surging flow of electronically manipulated piano, drums, and horns surfaces and disappears. In addition, a cacophonous storm howls through the raucous “Atlantic Conversation,” the slippery funkster “Bill & Jimmy” swings jubilantly, and “Humboldt's Gift” features real-time tenor sax bluster by one C. Kalderway. It's not always an easy listen, as noise opuses like “Feed the G” and “Theremin” show, but generally speaking there's no shortage of quality material on hand. And, incredibly, all free for the taking.

November 2006