Article
Brady / Driscoll / Gregorius

Albums
3/4 Peace
36
Atrium Carceri
Marvin Ayres
Peter Baumann
Beledo
Tim Brady
Christoph Bruhn
Calder
Csillagköd
Dal Niente / Deerhoof
Rebekah Driscoll
Eighth Blackbird
frostlake
Friedrich Goldmann
John Gregorius
Hammock
Chihei Hatakeyama
Masayuki Imanishi
ICE
Ionophore
braeyden jae
KAI
Kevin Kastning
Martin Kay
Kireyev & Javors
Millimetrik
Jon Mueller
Christine Ott
Piano Interrupted
Noah Preminger
Gavin Prior
Rapoon
Lasse-Marc Riek
Roach & Logan
Bruno Sanfilippo
Cyril Secq / Orla Wren
Sgt. Fuzzy
Kaitlyn Aurelia Smith
Stick Men+ David Cross
Stratosphere
Syncopix
Tetherdown
Charlie Ulyatt
Wieman

Compilation
Facticity

EPs / Cassettes / Mini-Albums / Singles
Glacis
Dibson T. Hoffweiler
Akira Kosemura
Daniel Lippel
Christine Tavolacci

Calder: Down
Nature Bliss

Down, the third Calder album by Icelandic duo Ólafur Josephsson (aka Stafrænn Hákon) and Lárus Sigurðsson, came together in classic collaborative fashion: the two initiated the process in 2013 by recording harps created by instrument-maker Sigurðsson; he then passed on to Josephsson acoustic songs for sweetening with electric elements, and slowly the album began to take shape. As much of a collaborative venture as Calder is, Sigurðsson and Josephsson aren't averse to bringing others aboard, with in this case Fred Boulter (organ, piano), Clair Quille (strings), and soprano Laura Wolfgang helping to bring the eleven-song album to life.

Though the Calder members play a number of different instruments on the release, guitar is a central element, a detail that in itself isn't surprising given that Sigurðsson has issued guitar-based ambient material as a solo artist and Josephsson has produced ambient guitar music outside of Calder. What we get, then, on Down are melodic, electro-acoustic instrumentals heavy in piano, strings, harp, voice, and, obviously, guitar; the inclusion of harp not only helps give the recording distinguishing character, it also enhances its prettiness.

“The Hand of the Little Horn” is but one of many beguiling settings, in this case a somewhat post-rock-styled production that sees organ and piano blending with harp, electric guitar, and drums to transporting effect. Atmospheric in the extreme, “The Hand of the Little Horn,” “Hyena,” and “Children of Eye” even add a bit of a ‘50s vibe to the project in emphasizing the guitar's twanging side.

Emoting wordlessly, Wolfgang's lovely voice and Quille's rustic fiddle add much to the already sparkling dreamscape “Kunderbuffer,” but it's hardly the only time such entrancement occurs, as shown by the inclusion of reveries bucolic (“Stool”), plaintive (“Hyena”), and wistful (“You Should Dream”). When I think of Iceland, I think of a generally cold locale, but there's nothing chilly about Down. Its warmth and uplifting spirit make it a very inviting place to visit indeed.

May 2016