Articles
Slow Six
Label Profile: Fällt
Alexander Turnquist

Albums
4 Bonjour's Parties
AGF
Atlas Sound
Autistic Daughters
Baja
Evan Bartholomew
Sylvain Chauveau
Destroyalldreamers
DoF
Dot Tape Dot
Fessenden
Floriana vs. Màcro
Florian Hecker
I Am A Vowel
Jaermulk Manhattan
Steve Jansen
LabField
Liar's Rosebush
Eliot Lipp
Luminous
Mojib
Monocle
Nicolay & Kay
Panda Riot
Ghislain Poirier
Prosumer & Murat Tepeli
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Sambassadeur
Starting Teeth
Carl Stone
Strings of Consciousness
Suite Crude Revue
Text Adventure
Alexander Turnquist
Valet
Viirus
Willits + Sakamoto
Yaporigami

Compilations/Mixes
Armin Van Buuren
Caroline
Goodbye Said the Rain
Sieben Mal Solo
A Weevil in a Biscuit

3"/ 7"/ 10"/ 12"/ EPs
0>1
A Setting Sun
The Bug ft. Warrior Queen
Myungho Choi
Deadbeat
Entsounds
Itosha
JDSY
l'Objet
Noah Pred
Repair
The Retail Sectors
Socks & Sandals
Someone Else
Trembling Blue Stars
.xtrak

Dot Tape Dot: Tomavistas: (Selected Rarities 2002-2007)
Other Electricities

Too poor to purchase equipment, Dani Romero put insolvency to his advantage by recording toy instruments and field recordings in lo-fi manner and, in so doing, inaugurated his dot tape dot project. Dating back to 2002, Tomavistas: (Selected Rarities 2002-2007) collects unreleased and material originally scattered across net-labels, vinyl releases, and private compilations into a nearly fifty-minute package. The material's largely “folktronic” in nature and should appeal to those searching for a complement to Greg Davis's Arbor (“Come to Me,” “Ventano,” “Making Waves,” and “Rounded Tree” could easily elbow their way onto Arbor with nary an eyebrow raised). Romero moves away from the template in “Mircolo a Milano,” which is dominated by glistening music box sounds, and in “Pal Talk 2 (Morning)” and the regrettably-named “Rosa Luxemburger,” which resemble non-abrasive Oval tracks. More often than not, toy accordion, glockenspiels, and acoustic and toy Spanish guitars billow into sparkling clusters in tracks of fragile and tranquil character. Though Tomavistas isn't terribly original or innovative, it's still a more than credible tour of folktronic terrain.

February 2008