Articles
Slow Six
Label Profile: Fällt
Alexander Turnquist

Albums
4 Bonjour's Parties
AGF
Atlas Sound
Autistic Daughters
Baja
Evan Bartholomew
Sylvain Chauveau
Destroyalldreamers
DoF
Dot Tape Dot
Fessenden
Floriana vs. Màcro
Florian Hecker
I Am A Vowel
Jaermulk Manhattan
Steve Jansen
LabField
Liar's Rosebush
Eliot Lipp
Luminous
Mojib
Monocle
Nicolay & Kay
Panda Riot
Ghislain Poirier
Prosumer & Murat Tepeli
randomNumber
Sambassadeur
Starting Teeth
Carl Stone
Strings of Consciousness
Suite Crude Revue
Text Adventure
Alexander Turnquist
Valet
Viirus
Willits + Sakamoto
Yaporigami

Compilations/Mixes
Armin Van Buuren
Caroline
Goodbye Said the Rain
Sieben Mal Solo
A Weevil in a Biscuit

3"/ 7"/ 10"/ 12"/ EPs
0>1
A Setting Sun
The Bug ft. Warrior Queen
Myungho Choi
Deadbeat
Entsounds
Itosha
JDSY
l'Objet
Noah Pred
Repair
The Retail Sectors
Socks & Sandals
Someone Else
Trembling Blue Stars
.xtrak

Florian Hecker: Hecker, Höller, Tracks
Semishigure

Containing material Florian Hecker composed for works by visual artist Carsten Höller (the deluxe gatefold sleeve's cover artwork displays images from an amusement park series), Hecker, Höller, Tracks spreads eight untitled tracks (totaling approximately 48 minutes) across four 12-inch vinyl sides. At times, it's minimalism taken to the extreme: side A consists of a single, nine-minute track of incessant clicks or, as the accompanying info more elaborately though not inaccurately characterizes them, “intensively klickering hypnotic pulsars.” Designed primarily as a psycho-acoustic exercise, the skeletal presentation does achieve its intended effect, and minor additional interest is generated when the pulsars subtly shift tonally and temporally out of sync with one another but, on purely listening terms, it's also the least engaging side of the four. Side two's sonically richer piece pairs a percussive element with an almost cuckoo clock-like pattern that persists throughout the fifteen-minute duration. Multiple transformations do occur in this case—the percussive tear blossoms into an ever-expanding clapping clatter, rhythms lurch and convulse, and the tempo slows—and, consequently, listening interest doesn't flag. Side three presents a propulsive pattern of scratchy clicks that could pass for a stripped-down variant of minimal techno—at least until the rhythms break down and threaten to collapse altogether. Side four, a retread of the previous one, likewise offers a writhing, scratchy techno pattern that's machine-like in its single-minded relentlessness. Admittedly, playing the set (as instructed) at maximum volume via loudspeakers does enhance the material's disorientating potential. For the record, anyone scared off by some of Hecker's past releases should know that Hecker, Höller, Tracks isn't in any way abrasive, as he achieves the project's desired effect using other means.

February 2008