ARTICLES
Listening Post: E. Honig
Label Profile: Ad Noiseam

ALBUMS
Leo Abrahams
Ammoncontact
Anka
Lloyd Barrett
Beach House
Bibio
Christina Carter
Davis & Jerman
Ecstatic Sunshine
Ensemble
Fluorescent Grey
Freiband
[guÿôm]
Chris Herbert
Home Video
Larvae
Lullabye Arkestra
Mathieu / Schaefer
MONO & w. end girlfriend
My Robot Friend
Nicolay
Pieter Nooten
Nuccini
Obfusc
Objekt4
Over the Atlantic
Para One
Proem
Red Sparowes
The Remote
Root 70
Florencia Ruiz
Ryuichi Sakamoto
Alan Sparhawk
Andy Stott
Thumbtack Smoothie
Tortoise
Triosk
Vlor

COMPILATIONS/MIXES
Ad Noiseam 2001-2006
Another Generic Sampler
Bip-Hop Generation 8
Diary of a Sweet Day
Idea Hoard Uncut
Innature
Morrow Choral Orchestra
Noise Factory Vol. 3
Squadron 2
Warp Works

3"/7"/10"/12"/EPs
Alias & Tarsier
Audion
Caroline
Home Video
Iz & Diz
Sami Koivikko
Mai
Mathhead
Monomachine
Narcotic Syntax
Quinoline Yellow
Sigur Rós
Samartzis & English
Samartzis & Inada
Andy Vaz
Andy Vaz Remixes
Waterprotection

Chris Herbert: Mezzotint
kranky

Listeners with graphics industry connections will know already that a mezzotint is a halftone screen that gives a photographic image a textured and filtered appearance and, as such, said listeners will also know that the title of Birmingham-based Chris Herbert's debut is therefore apropos. The ‘dedicated non-musician' uses low-tech gear and methods—improvised collages assembled on a decrepit desktop PC from found sounds and field elements—to realize his allusive settings, and opts for tangential rather than overt melodies and rhythms so as to keep the focus on the towering ‘vertical' dimension of the material.

Establishing the album's hypnotic character immediately, “Stab City” presents a lumbering, gaseous mass of woozily undulating character whose high-pitched tones swim in a swamp of crackle and blurry industrial noise. Beneath a sweltering pond of insectoid life-forms, gamelan bell tones generate an entrancingly placid ambiance in “Cassino” while ripples of static and steely clatter pulsate throughout “Suashi.” Needless to say, Mezzotint is an arresting exercise in textured sound sculpting, material best experienced as headphones listening or in a darkened room with the volume on full. Only under such conditions will its oft-subliminal yet spectacularly rich detail be fully apprehended. (Don't be thrown, incidentally, by the seeming discrepancy between the listed tracks and the disc's twelve, as Herbert intersperses five untitled interludes in amongst the titled pieces.)

October 2006