Articles
Death Blues
Questionnaire II

Albums
36
Daniel Bachman
Blevin Blectum
Ulises Conti
Ian William Craig
Dakota Suite & Sirjacq
Death Blues
Yair Etziony
Fade
Hammock
Imagho & Mocke
Kassel Jaeger
John Kannenberg
Martin Kay
Kein
Kontakt der Jünglinge
Akira Kosemura
Land Observations
Klara Lewis
Oliver Lieb
Lightfoils
Machinefabriek
Nikkfurie of La Caution
Pitre and Allen
Pjusk
Michael Robinson
Sawako
Seasurfer
Slow Dancing Society
Tender Games
Tirey / Weathers
Tohpati
Tokyo Prose
The Void Of Expansion
wild Up
Yodok III
Russ Young

Compilations / Mixes
Dessous Sum. Grooves 2
Silence Was Warm Vol. 5
Under The Influence Vol. 4

EPs / Cassettes / Mini-Albums / Singles
Belle Arché Lou
Blind EP3
Blocks and Escher
Dabs
DBR UK
Fracture
Sunny Graves
Ligovskoï
Mako
Paradox & Nucleus
Pye Corner Audio
Sawa & Kondo
Slpwlkr
Swoon
Toys in The Well
Versa
Marshall Watson

Akira Kosemura: Grassland+
Schole

Originally issued in early 2010, Akira Kosemura's Grassland re-emerges in a remastered form supplemented with a plus sign and four extra songs. Not surprisingly, the material still sounds as good as it did the first time around and once again argues convincingly on behalf of Kosemura's gifts as an instrumentalist, melodist, arranger, and songwriter. While there's nothing that explicitly suggests his primary goal was to demonstrate his versatility, the sixty-four-minute collection certainly does so in presenting such a diverse array of vocal and instrumental song styles, among them jazz and post-rock.

Breathy vocal contributions by The Misfortunes of Gerald to “Petrarca” lend its bubbly techno an ethereal air, an effect amplified wondrously when Aspidistrafly's April Lee adds vocals to the lullaby-like allure of “Little Dipper.” Four years removed from its first appearance, “Light” still sounds unmistakably reminiscent of Minnie Ripperton's “Lovin' You” (though Itoko Toma's voice is obviously different from Ripperton's), especially when its melodies so directly evoke the earlier song. With warm electric piano melodies and guitar-like textures powered by a post-rock drum groove, the title track swings breezily, and there's, of course, no shortage of examples of Kosemura's exquisite piano playing, among them the lilting ballad “Marriage” and wistful ruminations “Ballet” and “Amour.” On a collection that overflows with positivity, “Over the Horizon,” which features acoustic guitar playing by Haruka Nakamura, might be the most joyous piece of all.

The new additions blend seamlessly with the previously issued ones: the resplendent wonderlands “Breath of Spring” and “Daybreak” shimmer as radiantly as one would expect from pieces so titled and “Pianomatic” offers an audacious, multi-tracked piano exercise that sounds equally indebted to Monk and Tristano. Though there are a number of recordings in Kosemura's discography from which to choose, Grassland+ offers a veritable treasure trove that splendidly showcases the full range of his musical artistry.

August-September 2014