ARTICLES
Ten Questions: Fat Jon
MUTEK 2006

ALBUMS
65daysofstatic
A Cloud Mireya
Ambarchi and Ng
Another Elec. Musician
Derek Bailey
Band Ane
Barzin
Black Gold 360
The Blow
Boduf Songs
Childs
Darc Mind
Dosh
Duopandamix
Fat Jon & Styrofoam
Liam Gillick
Shuta Hasunuma
Tim Hecker
Ilkae
Jack's Son
Richard Jäverling
Jazzkammer
Junior Boys
Last Days
Hanno Leichtmann
Luomo
Mandelbrot Set
Mountaineer
N.Phect & Dizplay
Part Timer
Karsten Pflum
Benoît Pioulard
Plus Device
+/- {Plus/Minus}
Relay
Saroos
Seht
Shedding
So Percussion
Sybarite
Trio Vopá
Marshall Watson
Weather Report
Donato Wharton
Christopher Willits
Xela

COMPILATIONS/MIXES
ESL Remixed
Four Tet
Garnier & Craig
Ginglik Saturdays
Michael Mayer
Henrik Schwarz

3"/7"/10"/12"/EPs
Colleen
Delano and Xpansul
Detritus
Ed Devane
Eskimo
Feathers
Goldmund
Ezekiel Honig/Graphic
Ezekiel Honig
Eliot Lipp
Robert Lippok
Alejandro Lopez
Evan Marc
Porter & Carr
Sebastian Russell
Somone Else
Spaceships & Pings
SplitEP3
Simon Whetham

Last Days: Sea
n5MD

Last Days' Sea is the perfect soundtrack to that late-night hour when the crimson sky slowly fades into total darkness. Elegiac, introspective, and hypnotic, Graham Richardson's melancholy music represents a departure of sorts for n5MD whose releases are rarely so uniformly quiet and reflective. The Edinburgh, Scotland-based producer assembles his ‘lo-fi' material using digital means but camouflages the music's electronic character by purposefully degrading it. The vignette “Saltwater,” for example, literally sounds as if it's originating from beneath the water's surface.

Put simply, this is a collection filled with beautiful moments, like the guitars that moan through the meditative “Two Steps Back,” the glockenspiel chime that illuminates “Mountains,” and the delicate piano melody in “The Safest Place” that's so blurred and out-of-focus, it suggests a long-suppressed melody that unexpectedly returns to consciousness. Though its title portends otherwise, “Fear” turns out to be the most uplifting moment on the record, an uptempo song of gracefully mounting euphoria that turns its face towards the new day's sun with joyous expectation. Apparently, Sea's ‘escape' theme is intimated by song titles that reference a disillusioned soul who flees society on a boat, gets lost, and is ultimately rescued. Such details are frankly incidental, however, as Last Days' instrumental material makes its case strongly in the absence of such background info. Sea is a long, drawn-out, and deeply affecting sigh that should strongly appeal to fans of Eluvium and Deaf Center.

November 2006