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CYNE's Top 10
Yair Etziony's Top 10

Albums
2tall
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Austere
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Black Devil Disco Club
Matt Borghi
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Celer
Leighton Craig
CYNE
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Koen Daigaku
Thomas Feiner
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Joe Grimm
Grouper
Marihiko Hara
Headphone Science
Akai Ikuo
Ariel Kalma
Like Kisses Of Thread
Lull
Yoshio Machida
Machinefabriek + Vitiello
Israel Martinez
Nurse With Wound
Oubys
Chris Paul and Mia V
Phasen
Pop Levi
Ruhlmann + Celer
Janek Schaefer
Henning Schmiedt
Sense Project
The Silverman
Slowcream
Spartak
Strom Noir
Subheim
TaughtMe
Cristian Vogel
Goro Watari

Compilations / Mixes
Adultnapper
Cocoon Compilation H
Marcel Dettmann
Emerging Organisms
Gothenburg 08
Onur Özer
Holgi Star & Harry Axt
Seed Records Vol. 2
Tech My House 2
Prins Thomas & Full Pupp

EPs
3ofmillions
A "New Generation" EP
Giesela
Brian James
Kontext
Outputmessage
Palac
Chris Paul
Lasse-Marc Riek
Simon Whetham

Outputmessage: Resurface
Melodic

It's been two years since NY-born Bernard Emmanuel Farley gained justifiable acclaim for his debut Outputmessage album Nebulae . Apparently, he was disappointed to hear it labeled Intelligent Dance Music in some quarters (an association that likely came about due to Farley's instrumental focus on synthesizers and beats) but, in spite of whatever baggage IDM carries with it, some of the Resurface material could pass for a visionary re-imagining of the genre—“Ashes,” for example, with its arrangement of sharp percussive lashes and seizure-gripped electro convulsions, and “Resurface,” too, whose heavy percussive tumble and epic electronic squeal invites comparison to Autechre at its most innovative.

Regardless, the IDM label tripped Farley up when he set forth on following up the debut with new material. Though he agonized over the quality of the nearly one hundred songs he'd started and reeled under self-imposed pressures and job-related stress (teaching inner city kids in Washington DC), he eventually pulled together an EP's worth of material that largely blazes with energy. Song titles that reference collapse and Phoenix-like resurrection acknowledge the difficult time he had giving birth to the EP. They're also typically single-word titles, as unfussy and to-the-point as the tracks themselves, all seven of which check in at less than four minutes each.

Starting a recording with a title like “Funeral” might seem a depressing move but it's in keeping with Farley's desire to clear the decks and start anew. Sure enough, the brief overture rises to a grandiose, sci-fi climax before retreating to allow “Lungs” to start the EP proper. Kicked along by a popping funk rhythm and subterranean bass tones, the tune strafes its bleached atmosphere with synth fire, and then shifts into galaxial overdrive halfway through. A breathless urgency drives “Rise” whose storming electro attack of synth showers and roaring beats is so intense it feels ready to explode. The intensity cools slightly in “Try Again” to allow listeners to catch their breath before the locomotive electro-blaze of “Washed” comes into view. No matter the label, Outputmessage's futuristic electro-funk goes down easily indeed.

August 2008