Articles
Rafael Anton Irisarri
Slow Six

Albums
Another Electronic Musician
Balmorhea
Celer
City of Satellites
Cylon
Deadbeat
Kyle Bobby Dunn
Eluvium
Ent
Ido Govrin
Danny Paul Grody
Chihei Hatakeyama
Wyndel Hunt
The Internal Tulips
Keepsakes
The Knife
Kshatriy
Lali Puna
Francisco López
Mask
Melodium
Monolake
Clara Moto
Myrmyr
Nos Phillipé
Ontayso
Outputmessage
Pleq
The Q4
Schuster
Shinkei + mise_en_scene
The Sight Below
Sphere Rex
subtractiveLAD
Bjørn Svin
Tamagawa
Ten and Tracer
Trills
Trouble Books
Yellow Swans

Compilations / Mixes
An Taobh Tuathail Vol. III
Does Your Cat Know My...
Emerging Organisms 3
Moment Sound Vol. 1

EPs
Brim Liski
Ceremony
Eric Chenaux
Abe Duque
Hieroglyphic Being
Rafael Anton Irisarri
Manaboo
Monolake
Mr Cooper & Dday One
Pleq & Seque
Nigel Samways
Santos and Woodward
Simon Scott
Soundpool
Stimming, Watt & Biel
Stray Ghost
Ten and Tracer
Stuchka Vkarmanye

Simon Scott: Nivalis
Secret Furry Hole

Simon Scott follows up his acclaimed Navigare full-length with a three-inch CD-R (200 copies) featuring a single, sixteen-minute piece titled Nivalis. Characterizing it as “a tribute to the winter, the snow and the beauty of how the seasons change here in England,” he created the piece over a two-day span in December 2009 when heavy snowfall convinced him to stay inside studio o3o3o in Cambridge and keep on recording until the snow stopped. In his own words, “The whole time I was writing this piece the snow just never stopped falling so I had this amazing visual flow that inspired me to keep on throwing musical ideas into the track.” The comment captures the general feel of the piece, which presents a constant flow of sounds derived from instruments (drums, guitar), field recordings (including sounds of Scott clearing snow and ice from his doorstep), and samples. A meandering journey through a hazy multitude of sounds, the piece undergoes constant metamorphosis; sounds drift in and out of the haze, and elements and musical motifs bob to the surface, repeat hypnotically, and then recede. Along the way, one encounters creaking noises, bell tinkles, cymbal accents and the light swish of drums, the repeating strum of an acoustic guitar, vocal murmurs, and samples (horns gradually looped into a blur). One might be best to think of Nivalis, then, as a playful collage, or as a mini-portrait documenting Scott's working methods.

March 2010