Articles
Artist Speaks: Rick Wade
Mico Nonet's Top 10
Solvent's Top 10
Ten Questions: Autistici

Albums
An On Bast
Aster
Autistici
Balmorhea
Beneva vs. Clark Nova
Bersarin Quartett
Bong-Ra
Carlos y Gaby
Lawrence English
Coniglio-Marzorati
Daedelus
Detritus
Dom Mino'
Yair Etziony
Evangelista
Fear Falls Burning
Fluorescent Grey
Forestflies
Heribert Friedl
Glowstyx
Inlandsis
KiloWatts
Krill.minima
M.B + E.D.A.
Mico Nonet
Alfredo Costa Monteiro
Németh
David Newlyn
orchestramaxfieldparrish
Pedro
Qebo
Jose Luis Redondo
The Retail Sectors
Robedoor
Scorn
Snöleoparden
Take
Taunus
Temposhark
Robert Scott Thompson
Asmus Tietchens
Z-arc

Compilations/Mixes
Back to Back Vol. 2
Favourite Places
Future Memories
Nothing Works As Planned
Twin Earth Atlantic

3"/ 7"/ 10"/ 12"/ EPs
Buzzin' Fly Vol 4 Remixes
Franco Cangelli
Cheju
Figurines
Pär Grindvik
Hugo
Gregg Kowalsky
Lerosa
Mico Nonet
Moldy (featuring Juakali)
Take
The Third Man
Andy Vaz

DVD
MONO

Z-arc: Accumulative Effect
Boltfish

Some electronic music can be so polished, it verges on sounding antiseptic. So it's refreshing to hear Z-arc's (real name Kris Derry) premiere solo release sound so gritty and grungy in places. The material apparently was inspired by Isaac Asimov novels and science books about universal atomic expansion and the sonic equivalent of that dimension is readily audible in IDM-centered episodes that emphasize signature tropes such as analogue synth melodies, fractured beats, and atmospheric whooshes (“40 Microns,” “Theta Sigma”). But Derry works dirt into those episodes too, typically in the form of bottom-heavy funk rhythms that gives the ethereal material an earthy quality (“4001” a good example). “Refracted,” one of the collection's best tracks, is a near-perfect marriage of effervescent synth melodies and downtempo funk rhythms, and, believe it or not, the mix of synths-and-beats in “Transbeam” even aligns Z-arc more closely to a hip-hop instrumentalist such as Eliot Lipp more than your standard IDM outfit. The album's strong opener “Dihedral,” an aggressive mix of IDM and hip-hop, traffics in that style too, unlike “Airlocked” which combines whir'n'click and drum'n'bass. Adding to Accumulative Effect's appeal is its well-timed forty-seven-minute duration—just about right for a recording of its kind.

March 2008