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Logreybeam: Perhaps Imagine yourself sitting inside a busy French cafe in a seedy section of Paris, when suddenly a quintet of piano, accordion, bass, woodwinds, and vibes players takes to the stage to serenade the listeners with music that's sometimes jovial and high-spirited but more often heartbreakingly sad and tender. That sound you're hearing could very well be a live version of Perhaps, the latest album from Gabriel Morley under the Logreybeam name (the Type and CCO recording artist is also one-half of Yasume) and the second release from the Montreal-based label Les Enregistrements Variables. The songs' melancholy character is deepened by the mournful wheeze of the accordion, lonely call of the clarinet, and stark elegance of the piano, and the creak and shuffle of indoors ambient sounds surfaces in some of the pieces to strengthen the illusion of the cafe setting (“Roma Dance Party” even includes applause and clapping). The opening piece, “Prologue,” sets the tone with sombre themes voiced by clarinet, accordion, and piano—the perfect soundtrack for drowning one's sorrows in drink. The saxophone's honk lends “Roma Dance Party” a Michael Nyman-esque quality, even if the accordion playing gives the light-footed romp a breeziness that helps it stay true to the album's style. Logreybeam gets a bit of help from others on some songs, specifically Janice Marder, who adds vocals to the sorrowful “Melody Pines,” and Julien Neto, whose whisper stretches across “This Torment and This Thought” (a melodically bereft setting that's the album's sole disappointment, incidentally). Morley may reside in California, USA, but the album's romantic feel is thoroughly old-world Europe in the best way possible. May 2011
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