Articles
Rafael Anton Irisarri
Slow Six

Albums
Another Electronic Musician
Balmorhea
Celer
City of Satellites
Cylon
Deadbeat
Kyle Bobby Dunn
Eluvium
Ent
Ido Govrin
Danny Paul Grody
Chihei Hatakeyama
Wyndel Hunt
The Internal Tulips
Keepsakes
The Knife
Kshatriy
Lali Puna
Francisco López
Mask
Melodium
Monolake
Clara Moto
Myrmyr
Nos Phillipé
Ontayso
Outputmessage
Pleq
The Q4
Schuster
Shinkei + mise_en_scene
The Sight Below
Sphere Rex
subtractiveLAD
Bjørn Svin
Tamagawa
Ten and Tracer
Trills
Trouble Books
Yellow Swans

Compilations / Mixes
An Taobh Tuathail Vol. III
Does Your Cat Know My...
Emerging Organisms 3
Moment Sound Vol. 1

EPs
Brim Liski
Ceremony
Eric Chenaux
Abe Duque
Hieroglyphic Being
Rafael Anton Irisarri
Manaboo
Monolake
Mr Cooper & Dday One
Pleq & Seque
Nigel Samways
Santos and Woodward
Simon Scott
Soundpool
Stimming, Watt & Biel
Stray Ghost
Ten and Tracer
Stuchka Vkarmanye

Brim Liski: Brim Liski
Latenight Weeknight Records

Brim Liski's self-titled EP sounds more than a little assured for a debut but so it should, given the personnel involved: Ryan Policky (A Shoreline Dream), Jasper Boer, and Cacheflowe (Colorado-based Justin Gitlin, who has issued boom-bap/glitch-hop under the Cacheflowe alias). In simplest terms, the group's sound invites the shoegaze label; however, a couple of things distance Brim Liski from the genre proper, specifically clarity in vocal (where they appear, lyrics are commonly decipherable) and instrumental respects (the group opts for clear separation in its sonic design as opposed to presenting its songs as homogenous masses); some songs also tip slightly more in the direction of electro-pop than shoegaze (the electro-synth radiance of “Moving Winter” an example) but the difference in this case is admittedly slim.

The lead song “Fight” confidently floats in on a warm and enveloping synthetic breeze of soaring synthesizers and breathy vocals. While such elements are emblematic of classic shoegaze, Brim Liski also anchors the tune with a chunky rhythm track that gives the song a tad more soul than is the shoegaze norm. In “All the Things,” hushed vocals swirl alongside a robust drum pattern before a mid-song breakdown splotlights first vocals (“All the things I do, I do, I do / All the things I know, I know I know”) and then drums that trigger the full onslaught a second time. The instrumental “Longing” could easily be mistaken for a track by Ulrich Schnauss, so potent is the setting's panoramic and rapturous qualities, and the tune is neatly distinguished by a hiccup worked into the song's backbeat chug. Cacheflowe's aggressive beat attack also gives “An Endless Drive” a powerful thrust, while “Driving” strips everything away except for an effects-laden electric guitar. Extending the EP's length are two “Fight” remixes, the one by Jap Jap not radically dissimilar from the original (if slowed down and chilled slightly), and the other, a glitchy treatment by c.db.sn that's funkier in a way that suggests Telefon Tel Aviv trying shoegaze on for size.

March 2010